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TYPEFACES

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Cocosignum Corsivo Italico Ultra Light

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Cocosignum Corsivo Italico Light

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Cocosignum Corsivo Italico Regular

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Cocosignum Corsivo Italico Bold

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Cocosignum Corsivo Italico Heavy

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Cocosignum Maiuscoletto UltraLight

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Cocosignum Maiuscoletto Light

Start from 29 ($ 34)
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Cocosignum Maiuscoletto Regular

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Cocosignum Maiuscoletto Bold

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Cocosignum Maiuscoletto Heavy

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Weights

  • C
    Corsivo Italico Ultra Light
  • C
    Corsivo Italico Light
  • C
    Corsivo Italico Regular
  • C
    Corsivo Italico Bold
  • C
    Corsivo Italico Heavy

Features

  • ox pj
    Standard Ligatures
  • Abago
    Small Capitals
  • 12360
    Oldstyle Figures

Tester

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Hey, Torquemada.

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The first known typefaces designed in Italy were the ones used in the 1465 print of “De Oratore” by Cicerone, commissioned by spanish cardinal Torquemada.

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Il merito di avere introdotta la stampa in Italia viene correntemente attribuito al cardinale spagnolo Giovanni Torquemada (anche chiamato Turrecremata), il quale invitò i tedeschi Conrad Sweynheym e Arnold Pannartz a recarsi a Subiaco. Ciò dovette avvenire intorno al 1463, e già due anni dopo fu stampato un De Oratore di Cicerone, seguito dal Lactantius del 29 ottobre di quell'anno. I caratteri nuovissimi, di bel disegno fra il gotico e il romano, di un tipo non assomigliante a nessun altro fino allora fuso in Germania, dovettero essere copiati da un qualche manoscritto. Dopo circa due anni, il 12 giugno 1467, gli stessi tipografi pubblicarono il De Civitate Dei di S. Agostino, in-folio piccolo, su due colonne, libro perfetto in ogni sua parte e di rara bellezza. Poi i due soci si trasferirono a Roma, dove probabilmente già si era stabilito Ulrich Han, che il 31 dicembre 1467 pubblica le Meditationes del cardinale Torquemada, ornate di rozze xilografie, le prime apparse in Italia. I bei caratteri adoperati a Subiaco non furono impiegati a Roma: la moda era per il carattere umanistico, largamente usato in gran numero di manoscritti esemplati specialmente per la corte Aragonese a Napoli; così i nuovi tipi furono perfettamente tondi e il primo saggio apparso le Epistolae di Cicerone, nel novembre 1467. Dal 1468 al 1473, Sweynheym e Pannartz pubblicarono una serie di quarantotto classici latini, tutti di formato in-folio, tirati quasi sempre in numero di 275 esemplari. Col 1473 i due soci si lasciarono; Pannartz continuò a stampare nella casa dei Massimo, e Sweynheym intraprese a incidere su metallo le 27 carte della Cosmographia di Tolomeo, lavoro interrotto per sua morte avvenuta nel 1476. Il Tolomeo fu terminato poi da Arnold Bucking e vide la luce il 10 ottobre 1478. (Fonte: Enciclopedia Treccani)

Styles

  • a
    Corsivo Italico
  • a
    Maiuscoletto

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creation year:
2017
about: COCOSIGNUM takes inspiration from the typography of the italian thirties. The imperial uppercase with its propaganda deco overtones is softened by a cursive lowercase geometric script in the Corsivo Italico version. It comes in two styles and five weights, covering over forty languages   CONTINUE...
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XS

ABOUT

COCOSIGNUM takes inspiration from the typography of the italian thirties.

The imperial uppercase with its propaganda deco overtones is softened by a cursive lowercase geometric script in the Corsivo Italico version.

It comes in two styles and five weights, covering over forty languages using latin alphabet, as well as greek and cyrillic.

XS