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TYPEFACES

Features
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Noctis Thin

Start from 29 ($ 35.5)
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Noctis Thin Italic

Start from 29 ($ 35.5)
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Noctis Light

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Light Italic

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Regular

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Italic

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Bold

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Bold Italic

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Heavy

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Heavy Italic

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Texturae Thin

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Texturae Light

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Texturae Regular

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Texturae Bold

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Noctis Texturae Heavy

Start from 29 ($ 35.5)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Weights

  • O
    Thin
  • O
    Light
  • O
    Regular
  • O
    Bold
  • O
    Heavy

Features

  • fifl
    Standard Ligatures
  • {[(H)]}
    Case-Sensitive Forms
  • cksk
    Discretionary Ligatures
  • a
    Stylistic Set 1
  • g
    Stylistic Set 2
  • &
    Stylistic Set 3
  • âê
    Stylistic Set 4
  • 1o2a
    Ordinals
  • 012
    Oldstyle Figures
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors

Tester

Features
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Hey, Torquemada.

Features
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The first known typefaces designed in Italy were the ones used in the 1465 print of “De Oratore” by Cicerone, commissioned by spanish cardinal Torquemada.

Features
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Il merito di avere introdotta la stampa in Italia viene correntemente attribuito al cardinale spagnolo Giovanni Torquemada (anche chiamato Turrecremata), il quale invitò i tedeschi Conrad Sweynheym e Arnold Pannartz a recarsi a Subiaco. Ciò dovette avvenire intorno al 1463, e già due anni dopo fu stampato un De Oratore di Cicerone, seguito dal Lactantius del 29 ottobre di quell'anno. I caratteri nuovissimi, di bel disegno fra il gotico e il romano, di un tipo non assomigliante a nessun altro fino allora fuso in Germania, dovettero essere copiati da un qualche manoscritto. Dopo circa due anni, il 12 giugno 1467, gli stessi tipografi pubblicarono il De Civitate Dei di S. Agostino, in-folio piccolo, su due colonne, libro perfetto in ogni sua parte e di rara bellezza. Poi i due soci si trasferirono a Roma, dove probabilmente già si era stabilito Ulrich Han, che il 31 dicembre 1467 pubblica le Meditationes del cardinale Torquemada, ornate di rozze xilografie, le prime apparse in Italia. I bei caratteri adoperati a Subiaco non furono impiegati a Roma: la moda era per il carattere umanistico, largamente usato in gran numero di manoscritti esemplati specialmente per la corte Aragonese a Napoli; così i nuovi tipi furono perfettamente tondi e il primo saggio apparso le Epistolae di Cicerone, nel novembre 1467. Dal 1468 al 1473, Sweynheym e Pannartz pubblicarono una serie di quarantotto classici latini, tutti di formato in-folio, tirati quasi sempre in numero di 275 esemplari. Col 1473 i due soci si lasciarono; Pannartz continuò a stampare nella casa dei Massimo, e Sweynheym intraprese a incidere su metallo le 27 carte della Cosmographia di Tolomeo, lavoro interrotto per sua morte avvenuta nel 1476. Il Tolomeo fu terminato poi da Arnold Bucking e vide la luce il 10 ottobre 1478. (Fonte: Enciclopedia Treccani)

Styles

  • a
    roman
  • a
    Italic
  • a
    Texturae

Charset

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author:
Luca Terzo, with Cosimo Lorenzo Pancini and Valentino Coppi
creation year:
2020
about: Noctis was originally born as a single weight display typeface, designed by Luca Terzo who took inspiration by the unusual wedge serifs of Aldo Novarese's 1972 typeface for H. Berthold A.G.,  Primate. The design was developed   CONTINUE...
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ABOUT

Noctis was originally born as a single weight display typeface, designed by Luca Terzo who took inspiration by the unusual wedge serifs of Aldo Novarese's 1972 typeface for H. Berthold A.G.,  Primate. The design was developed by the Italian Type team into a full family of five weights from thin, each with its own true italic, and with a complementary set of decorative patterns.

The strong didonesque contrasts make this typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use.

Inspired by the elegant, self conscious and over-the-top aestethics of italian fashion scene of the eighties and nineties, Noctis finds its strength in its strong textural nature, that is explored in the Noctis Texturae subfamily, where each letter is used as a tile to produce seamless patterns that can be used to extend the branding capabilities of Noctis.

Noctis features an extended latin character set of 481 glyphs covering over 190 languages, and includes advanced open type features like standard and discretionary ligatures, positional numerals, stylistic alternates and case sensitive brackets. Mixing versatility and personality, Noctis is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best italian luxury fashion.

 

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